Ahmad

集数季别连集数英文题目中文题目138801SodaCupKiller夺命保丽龙杯（徒手悬挂）139802DivetoSurvive深水躲爆炸（德律风簿保安然）140803SpyCarEscape特务车脱逃密技（向量反抗）141804BottleBash酒瓶砸头（皮革大炮）142805NoPain,NoGain忍痛大磨练（瓦斯瓶火箭）143806MythssionControl不雅众来找碴（撞车力道!打掉落你的袜子＂再验证＂）144807DuctTapeHour2再探全能胶带145808WaterslideWipeout滑水道地面绝技146809FireballStunGun电击枪引火（炊火人）147810FluFiction流感谣言大检修148811Top25Moments25大出色片断149812CarConundrum逃出落水车（同第5季3集）150813Buster’sCut-AlcoholMyths酒精谣言（假人兄执导版）151814Buster’sCut-DuctTapeHour2再探全能胶带（假人兄执导版）152815Buster’sCut-KnockYourSocksOff打掉落你的袜子（假人兄执导版：打掉落你的袜子!枪弹落地竞速）153816Buster’sCut-ViewerSpecialThreequel不雅众发问特辑（假人兄执导版）154817Buster’sCut-BottleBash酒瓶砸头（假人兄执导版）155818HairOfTheDog再解狗迷思156819StormChasingMyth龙卷风特集157820ColdFeet最终试胆大会158821TableclothChaos桌布大磨练159822ArrowMachineGun打造连发弩炮160823MiniMythMadness迷你留言大聚集161824ReverseEngineering逆向工程（倒车引擎!致命冲浪板）162825InvertedUnderwaterCar逃出翻转落水车163826BugSpecial虫子特集164827PresidentsChallenge总统大挑衅165828GreenHornetSpecial青蜂侠特集（爆炸遁逃!电梯切车）166829OperationValkyrie重现暗害希特勒(华尔奇利雅之谜)

波蒂洛乔治Bradshaw的维多利亚铁路指南的副本所需的曲目。波蒂略在一系列五史诗般的旅程，旅行该国的长度和广度看铁路如何改变了我们，并Bradshaw的英国，还有什么。==============================================================第1部分：布莱顿到克罗默全程他的东海岸到西海岸，从布莱顿克罗默。EP1。布莱顿到水晶宫。迈克尔发现关于布莱顿的维多利亚水族馆，在世界上的时间最多;探讨Godstone的地下采石场，发现的在伦敦南部郊区的水晶宫奇观。EP2。滑铁卢金丝雀码头。迈克尔发现僵硬的表达，从滑铁卢布鲁克伍德墓地棺材葬礼服务运行。他发现，伦敦的西端如何成为一个伟大的19世纪的购物目的地，并探讨了伦敦的码头改变命运。EP3。恩菲尔德到剑桥。迈克尔访问恩菲尔德政府**工厂，在Bradshaw的日子在欧洲最大的机器店，发现列车如何转变Newmarket的比赛，并找出为什么剑桥可以被认为是现代足球的发源地。EP4。伊利到金斯林。迈克尔与伊利捕手的沼泽去年鳗鱼捕捞，并参观19世纪工程的伟大胜利，丹佛水闸。他结束了他的旅程，在那里他揭示了一个雄心勃勃的计划，回收Bradshaw的一天洗金斯林。EP5。迪勒姆到克罗默。迈克尔得到难得的机会，推动文物柴油列车，找出为什么诺福克黑色火鸡的圣诞菜单，在Bradshaw的日子和样品一些经典克罗默蟹出现。~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~第2部分：Ledbury到Holyhead的这旅程如下从LedburyHolyhead的爱尔兰邮件的路由。EP6。Ledbury到什鲁斯伯里。迈克尔口味的维多利亚喝梨酒，梨苹果酒，得到了密切的个人与谱系赫里福德牛市和访问所有的摩天大楼，世界上第一个铁架什鲁斯伯里建设的祖父。EP7。德福到雷克瑟姆。迈克尔在Coalbrookdale参观了世界上第一个铁桥，探讨了历史性的奇克城堡和一展身手，在传统的柴郡奶酪。EP8。切斯特康威。迈克尔需要参观切斯特的罗马遗迹，并发现了一个秘密的世界二战化学武器Rhydmwyn工厂。在兰迪德诺支出的夜晚后，他那张美丽的康威河口捕捞贻贝。EP9。Llanwrst到Porthmadog。迈克尔探讨康威山谷，停止在英国的第一个艺术家的殖民地Betwys-Y-男女同校，参观维多利亚的Blaenau石板资本Ffestiniog和蒸汽火车在Porthmadog海港。EP10。兰贝里斯到Holyhead的。迈克尔威尔士的最高峰，登上斯诺登的列车;证人安格尔西的海盐业的复苏;并发现铁路如何转化的Holyhead的微小港口。~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~第3部分：纽卡斯尔梅尔顿莫布雷这个旅程如下一些在全国最早的铁路从纽卡斯尔梅尔顿莫布雷。EP11。纽卡斯尔切斯特乐街。迈克尔参观乔治Stephenson，搜索南希尔兹马斯登失去坑村开设了世界第一的机车厂，是由相声艺术团说唱剑舞者在切斯特乐街受理。EP12。达勒姆到Grosmont。迈克尔参观历史悠久的达勒姆大教堂，看到达林顿的第一批机车之一，并在Whitby结束之前他在北约克郡沼地上的蒸汽火车的旅程，一个吸血鬼之旅。EP13。约克到Saltaire。迈克尔需要在著名的哈罗盖特温泉镇的土耳其浴，探索Saltaire的维多利亚式的模范村，并与一些友好的羊驼，其羊毛Bradshaw的一天命运磨鼻子。EP14。巴特利谢菲尔德。迈克尔发现约伪劣，一个成功的19世纪的巴特利轻纺城的循环再造业，发现铁路如何带动约克郡的被迫大黄贸易，并符合乔治布拉德肖自己的曾孙女。EP15。兰利轧机梅尔顿莫布雷。迈克尔学习斯蒂尔顿奶酪的秘密，发现列车如何转变传统的英国猎狐运动，试图使一个真实的梅尔顿莫布雷猪肉馅饼。~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~第4部分：伦敦大桥至黑斯廷斯这段旅程经过肯特郡，周围风景秀丽的南海岸从伦敦大桥至黑斯廷斯。EP16。伦敦桥咸。迈克尔参观格林威治皇家天文台，看看如何铁路标准化的时间，需要Rotherhithe通过了世界上第一个水下隧道的步行路程，并探讨在漆咸的历史悠久的船厂。EP17。艾尔斯福德到汤布里奇井。迈克尔探索维多利亚一跳拾荒者的生活，发现约美善的~~造纸行业，发现铁路变成一个全国性的运动板球。EP18。坎特伯雷到马盖特。迈克尔发现坎特伯雷大教堂是在第二次世界大战Baedeker的空袭保存如何去青春痘，渔船在惠特斯特布尔，并探讨在马盖特海边游泳的起源。EP19。三明治福克斯通。迈克尔探索秘密的端口运行的第一列火车渡轮到第一次世界大战期间携带重要物资的法国，访问Walmer城堡，威灵顿公爵的家，并发现了维多利亚时代如何发起的英吉利海峡隧道的建设。EP20。海斯至黑斯廷斯。迈克尔对大气罗姆尼湿地发现了一个羊的耐寒品种，探讨了肯特的新的起泡酒行业，并发现了维多利亚时代为什么去疯狂黑斯廷斯蕨类植物。~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~第5部分：艾尔到斯凯这段旅程从艾尔苏格兰的斯凯岛的西海岸。Ep21。艾尔到佩斯利。迈克尔访问罗比彭斯的故乡，并找出如何让哈吉斯，发现铁路如何转化的高尔夫球比赛，在普雷斯蒂克和揭示了伟大的维多利亚在佩斯利格子呢骗局的故事。EP22。敦巴顿以Tyndrum。迈克尔探索历史悠久的敦巴顿造船厂建造卡蒂萨克，参观维多利亚女王的最爱出没的地点，萝梦湖之一，并在苏格兰的山区去狩猎的黄金。Ep23。奥本到Corrour。迈克尔发现列车传播关于奥本威士忌的话，有关的英勇斗争，建立一条铁路穿过荒凉的Rannoch穆尔听到，并访问Corrour，维多利亚时代的政治精英最喜爱的拍摄屋之一。Ep24。Roybridge到格兰芬兰。迈克尔调查19世纪伟大的地质奥秘之一，格伦罗伊平行道路。此外，他还发现了维多利亚时代如何把本尼维斯山的顶部，一个气象台和在不同的蒸汽火车在英国最壮观的高架桥，在格兰芬兰之一。Ep25。Lochailort到斯凯岛。迈克尔发现，铁路如何帮助在Lochailort培训的第一代突击队在二战，找出为什么langoustines已取代在渔港的马莱格顶部赶上鲱鱼，帆到斯凯岛隔海相望，探索的历史高原佃农

经过四年分居生活后，Ahmad（阿里·莫沙法 Ali Mosaffa 饰）在法国妻子Marie（贝热尼丝·贝乔 Bérénice Bejo 饰）的要求下，从德黑兰来到巴黎正式办理离婚。从短暂的巴黎之行中，Ahmad看到了妻子与女儿之间冲突不断。Ahmad试图帮助其改善关系，结果发现了一段过去的秘密。

2000年美国加利福利亚，知名作家阿富汗人Amir(Khalid Abdalla 饰)接到一个电话，将他带回了童年的岁月…… 1978年阿富汗喀布尔，Amir（Zekiria Ebrahimi 饰）是富家少爷，仆人Ali的儿子Hassan（Ahmad Khan Mahmoodzada 饰）是 他忠实的跟班与玩伴。二人参加了一场传统的斗风筝比赛，Amir经历了终身难忘的事情，两人的命运随之改变：Ali和Hassan离开了Amir家，音信全无；随着阿富汗战争的爆发，Amir和父亲移民到美国，过上了新的生活。 电话是父亲的老朋友Rahim（KhanShaun Toub 饰）打来的，希望Amir能够到阿富汗去找Hassan的儿子Sohrab (Ali Danish Bakhty Ari 饰)，等待Amir的，除了满目疮痍的家乡、不堪回首的往事，还有难以启齿的秘密。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

影片男配角的原型是一位伊朗裔,加拿大籍的记者巴哈里（Maziar Bahari）。2009年,巴哈里作为美国「消息周刊」（Newsweek）驻伊朗记者,报道昔时的伊朗总统大选。6月13日,推举委员会宣告艾哈迈迪-内贾德（Mahmoud Ahmadinejad）得胜后,其竞争敌手的支撑者上街游行,巴哈里拍下了这场被称为“伊朗绿色反动”的抗议运动。6月21日,他从德黑兰的家中被带走,阅历118天的开释后获释。厥后巴哈里将本人的这段阅历写成回想录「Then They Came for Me」,于2011年出书。在书中,他描写本人受到熬煎跟审判,对方视他为潜入伊朗的特务。因为双眼被蒙住,看不清提审人的面目面貌,只闻到他身上的玫瑰香水味,巴哈里在书中就以“玫瑰香水”（Rosewater）称谓对方,影片的片名也是由此而来。

Third battle of Panipat which took place on 14 - January 1761.Between Marathas and King of Afghanistan, Ahmad Shah Abdali.

本片以上世纪六十年代的本地家庭为主轴，通过成员的际遇，带出早期的甘榜生活以及后来的组屋生活，剧情横跨数十年。电影也将体现新加坡如何从一个以方言为主流语言的社会演变成华语到现今英语的过程，从中回顾流失的方言。它也会融入导演的许多亲身经历，并将安插多首怀旧歌曲。Afterthe1969nationwidefloods,ZhaoDitakesoverherfathersfamilyfarmwiththehelpofreformedgangsterAhLong.AsSingaporeseconomyprospers,theSingaporeanmindsetisalsoforcedtochangewiththetimes.Osmancatcheshisteenageson,Ahmadpracticingwithhisrockband.Asaconservativeman,OsmanbelievesrockmusicwillhaveanegativeinfluenceonAhmad.Fatherandsonargueovertheirdifferentopinions,causingAhmadtorunaway.Meanwhile,AhHeeandRanidecidetogetmarried.Buttheirtraditionalparentsdisapproveoftheirmarriage.In1977,theGovernmentbeginsexpropriatinglandforredevelopment,forcingvillagersfromtheirkampongs.Licensedfarmlandowners,suchasZhaoDi,arefinanciallycompensatedfortheirland.AhKun,ZhaoDisgreedybrotheraccusesZhaoDiandAhLongofhavinganaffairtotarnishhernameinfrontofthefamily.InthemidstofAhKunspersistentaccusations,ZhaoDishealthtakesahit.WillZhaoDibeabletokeepherhard-earnedcompensationmoney?WhatwillbecomeofherfamilyifZhaoDishealthcontinuestodeteriorate?Aspeoplechangewithtime,willthekampongspiritremain?

　　Young university student Hugo (Gustav Lindh) falls in love with promising violinist Agnes (Evin Ahmad), but something happens that changes his life completely. Moving on, the story turns into a romantic drama-comedy with great portions of humour and warmth, as Hugo ends up at Circus Marg?t and is drawn into that absorbing existence.

Paris1895;PierreisaParisiandandyandpoetonthevergeoffame.HeandhispoetfriendHenriarebothmadlyinlovewithMarie,thecheekydaughteroftheirmentor,Franco-CubanpoetJosé-MariadeHeredia.AlthoughshelovesPierre,obeyingherfathershemarriesHenritopayoffherfathersdebtandinsearchofabettersocialposition.ThereuponPierredecidestofleetoAlgeriaandtheremeetsZohar,withwhomhesharesapassionforeroticphotography.ReturningtoPariswithhertwoyearslater,hefindsMarieagain,whoconfessesthatheistheonesheloves.TheystartacaseagainstthebackdropofParisseroticphotography,inacat-and-mousegamewithpeoplewhoinvolvetheirlivesandbreakingthecodessetbysocietywhichwillwillmakethemoneofthebest-knownwritersandpoetsof19th-centuryFrance.Writtenbylament