Amores

ThetwobrandnewserieswillpromisemorefantasticallytwistedtalesfromthebrilliantmindsofStevePembertonandReeceShearsmith.Theannouncementcomesaheadoftheseriesfivefinalethisevening(Monday9thMarch2020)onBBCTwoat10pm.SinceInsideNo.9firstlaunchedin2014,over30episodeshavenowbeenbroadcastincludingtheincrediblyambitiousliveepisodeDeadLine.Thelatestserieshasagainreceivedplauditsfromfansandcriticsalike.ReeceShearsmithandStevePembertonsaid:“LittledidweknowwhenwestartedInsideNo.9in2014thatwewouldendupwithasmanyepisodesofitasCountryfile.Wearedelightedandexhaustedinequalmeasureattheprospectoftwomoreseries-worthoftalltalesandfearsomefables.However,wewillendeavourtoshowcasetheverybestofwhattheBBCcandoineverygenrewith30minutesofstory-tellingandsomehalf-decentwigs.WemighteventryaCountryfileepisode,noonewouldexpectthat…”ShaneAllen,Controller,Controller,BBCComedyCommissioningsays:“Withover30distinctiveanddazzlingshowstodate,theirabilitytomasterandnaileverygenreofstory-tellingwithbrevity,inventionandflairisunparalleled.OscarshavebeenwonforlessthanReeceandStevemanagetoconjureupwitheachoriginalconceptforeverysingleshow.QuitesimplytheyhavethemostfertilemindsinBritishcomedyandgodknowswhatmagicthenextserieswillbring.”JoshCole,HeadofComedy,BBCStudiossays:“ReeceandStevecontinuetomakeandbreakalltherulesofcomedyinevermorespectacularandhorrifyingfashion,andwearedelightedthattheBBChavegivenustheopportunitytomaketwomoreseries.Toparaphrasetheshowitself,notsincetheescapedcowhastherebeensuchexcitement.LongliveInsideNo.9!”Seriessixandsevenwillstaytruetoshow’santhologyformatwitheachseriescontainingsixbrandnewhalfhourfilms,eachsetinadifferentlocation.Thestyleandtonechangingeachweek,combiningadifferentmixofhorror,thriller,dramaandcomedy-alwaysaimingtosurprise,delight,unnerveandamuse.Asever,ahostoftalentedactorswilljoinReeceandSteve,withseriesfiveincludingactorssuchasJennaColeman,DavidMorrissey,RalfLittle,FionnWhitehead,MaxinePeakeandPhilDavis.SeriesfivealsoincludedasurprisePsychovillecross-overepisode,DeathBeNotProud,whichsawtheunexpectedreturnoffanfavouritesDavidandMaureenSowerbuttsandMrJelly.InsideNo.9seriessixandsevenhavebeencommissionedbyShaneAllen,Controller,BBCComedyCommissioningandPatrickHolland,Controller,BBCTwo.ThecommissioningeditorfortheBBCwillbeGregorSharpandtheywillbeexecutiveproducedbyJonPlowmanwithAdamTandyasproducer.

DavidGelb’s‘Chef’sTable’GetsThreeMoreSeasonsOnNetflix!

Luminousbeings,creatureswiththeirowninternallight,enchantandastonishus.Anyonewhohasseenafireflyoraglow-wormcannothelpbutfallundertheirspell.Theseaatnightsparklesasmillionsofluminousplanktonrevealtheshapesofdolphinsinatrulymagicallightshow.Butwhydoanimalsproducelivinglight?Forcenturieswecouldonlymarvelatthebeautyandthemystery,butnowforthefirsttimewecanbegintorevealtheamazingtruthaboutlivinglights.Ithastakenthreecrucialtechnologicalbreakthroughs.Firstly,colourcamerashaveimproveddramatically;theyarenowover4 - 000timesmoresensitivethanadecadeago.Thecamerasaresosensitivetheyarerevealingstartlingdiscoveriesthatuntilnowwecouldnotsee.Secondly,scientistshaveenteredtheunknownworldoftheboundlessdeepopenoceanwiththehelpofanewgenerationofsubmersiblesandrobots.Thirdly,AmmoniteFilmshaveinventedandbuiltaseriesofuniquecamerasthatcancapturethefaintestephemeralglowofluminouslife.Bycombiningthesethreeinnovations,thisfilmshowscreaturesandbehavioursneverseenbefore.SirDavidAttenboroughisourguideasweventureintoanewhithertounseenworld.Bioluminescenceiseverywhere:inthesoil,onthelandandthroughouttheoceans.JoinSirDavidAttenboroughandateamoftheworld’sleadingscientistsanddeepseaexplorersonaquesttorevealthesecretsoflivinglights.

TheBritishespionagedrama"MI-5",providesmoreshockingtwistsandturnsinitsthirdseason.TomQuinn(MatthewMacfayden)disappearsfollowingashootingandnewmanAdamCarter(RupertPenry-Jones)risestothechallengeinSectionB.Afterrecoveringfromhisinjury,Harry(PeterFirth)tasksAdamwithprovingTom’sinnocence.LaterintheseasonDanny(DavidOyelowo)andZoe(KeeleyHawes)aresentonamissionthathastragicconsequencesforoneofthem.

"WithDCIGillMurrayinretirement,ever-ambitiousRachel(SuranneJones)returnsfromherVicesecondmentfiredupandfullofnewideasandinitiatives.She’sgainedvaluableexperienceandreallywantstomakehermarkasshereturnstoSyndicate9’sMurderSquad.Exhilaratedtostepuptotheplate,RachelisexactlywhoJanet(LesleySharp)andtheSquadneedtomoveforwardwithaterrifyingandsinisterInternetcrimeinvestigationofepicscaleandunrelentinghorror.UsingherViceauthorisation,Rachelaccessesadisturbingworldwherepeoplebragaboutcommittingmurderandlaydownthegauntletforthenextvictim.Agameofruthlesslifeordeathdaringdevelops,asScott&Baileyinvestigatemultiplekillerswithhorrifyingandeverlastingconsequences.Theywillbechangedforeverandtheinvestigationwilltakeadevastatingtollontheirprivate,professionalandpersonallives."ThedramawillbeexecutiveproducedbyNicolaShindler(HappyValley,LastTangoinHalifax,Banana,Cucumber)founderoftheRedProductionCompanyandproducedbyMichaelaEccleston,Red’sHeadofProduction.SuranneJones,whoconceivedtheideaforthedramawithfellowactressSallyLindsay,willalsoexecutiveproducealongsideNicola.SallyLindsayalsoreturnstothedramaplayingRachel’ssisterAlison.5-1RachelstepsuptoactingDIonacasethatbecomesmoresinisterthanitfirstappeared.

JackMooneyisstartingtosettleinthesun-soakedislandofSaint-Marie,andhehassomeimpossiblemysteriestosolve.Achampionpokerplayer,apparentlypoisonedatthetableinfrontofanastonishedaudience.Anovelist,murderedinaplotmoresurprisingthananythinghe’severwritten.Andaspiritualleader,strangledatatimewhenallthesuspectswereeachother’salibis.Jack’slaconicstylebeliesasharpmindandrelentlessdetermination.He’sabrilliantdetective,andhe’llneedallhisinstinctivegeniustosolvetheseperplexingmurders.

Thestorycentresonasinglemotherandamarriedmanwhobecomelovers.Theyhaveagreedtoonlymeetupforthepurposesofaphysicalaffairwithoutanyprospectoflove,knowingfullwelltheirrelationshipwouldhavenofuture.Buttheyfindthemselvesmoreandmoresurprisedbyhowwelltheygeton,theirsenseofcomplicityandthewell-beingtheyfeelineachother’scompany…

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

米歇尔（萨加莫尔·斯蒂芬南SagamoreStévenin饰）是一名职业赛车手，他热爱速度带来的狂风和自由，将赛车视为毕生的理想和事业。在茫斯二十四小时拉力赛中，米歇尔凭借着自己的努力和天赋获得了最终的胜利，一时间声名鹊起，成为了媒体关注的焦点。鲁斯（LisaBarbuscia饰）对于米歇尔的成功耿耿于怀，因为她的父亲正是因为米歇尔才不得不放弃钟爱的赛车事业。为了彻底击垮米歇尔，维斯筹划了一个阴谋，在一场重要的比赛中，维斯带领自己的车队不断的骚扰和阻挠着米歇尔，面对对手刻意的挑衅，米歇尔能够应对自如吗？他又能否打败对手，获得胜利呢？

BetrieklivesattheedgeofapeatbogintheNorthoftheNetherlands.Whensheandherfamilyareattackedbyarandomstrangeronenight,Betrieksetsouttofindanexplanation.Themoreshedigs,themoreshebecomesconvincedthatsheisbeinghuntedbysomethingancient.