Aysin

ThetwobrandnewserieswillpromisemorefantasticallytwistedtalesfromthebrilliantmindsofStevePembertonandReeceShearsmith.Theannouncementcomesaheadoftheseriesfivefinalethisevening(Monday9thMarch2020)onBBCTwoat10pm.SinceInsideNo.9firstlaunchedin2014,over30episodeshavenowbeenbroadcastincludingtheincrediblyambitiousliveepisodeDeadLine.Thelatestserieshasagainreceivedplauditsfromfansandcriticsalike.ReeceShearsmithandStevePembertonsaid:“LittledidweknowwhenwestartedInsideNo.9in2014thatwewouldendupwithasmanyepisodesofitasCountryfile.Wearedelightedandexhaustedinequalmeasureattheprospectoftwomoreseries-worthoftalltalesandfearsomefables.However,wewillendeavourtoshowcasetheverybestofwhattheBBCcandoineverygenrewith30minutesofstory-tellingandsomehalf-decentwigs.WemighteventryaCountryfileepisode,noonewouldexpectthat…”ShaneAllen,Controller,Controller,BBCComedyCommissioningsays:“Withover30distinctiveanddazzlingshowstodate,theirabilitytomasterandnaileverygenreofstory-tellingwithbrevity,inventionandflairisunparalleled.OscarshavebeenwonforlessthanReeceandStevemanagetoconjureupwitheachoriginalconceptforeverysingleshow.QuitesimplytheyhavethemostfertilemindsinBritishcomedyandgodknowswhatmagicthenextserieswillbring.”JoshCole,HeadofComedy,BBCStudiossays:“ReeceandStevecontinuetomakeandbreakalltherulesofcomedyinevermorespectacularandhorrifyingfashion,andwearedelightedthattheBBChavegivenustheopportunitytomaketwomoreseries.Toparaphrasetheshowitself,notsincetheescapedcowhastherebeensuchexcitement.LongliveInsideNo.9!”Seriessixandsevenwillstaytruetoshow’santhologyformatwitheachseriescontainingsixbrandnewhalfhourfilms,eachsetinadifferentlocation.Thestyleandtonechangingeachweek,combiningadifferentmixofhorror,thriller,dramaandcomedy-alwaysaimingtosurprise,delight,unnerveandamuse.Asever,ahostoftalentedactorswilljoinReeceandSteve,withseriesfiveincludingactorssuchasJennaColeman,DavidMorrissey,RalfLittle,FionnWhitehead,MaxinePeakeandPhilDavis.SeriesfivealsoincludedasurprisePsychovillecross-overepisode,DeathBeNotProud,whichsawtheunexpectedreturnoffanfavouritesDavidandMaureenSowerbuttsandMrJelly.InsideNo.9seriessixandsevenhavebeencommissionedbyShaneAllen,Controller,BBCComedyCommissioningandPatrickHolland,Controller,BBCTwo.ThecommissioningeditorfortheBBCwillbeGregorSharpandtheywillbeexecutiveproducedbyJonPlowmanwithAdamTandyasproducer.

荣获金球奖最佳戏剧类电视剧集。荣获艾美奖最佳戏剧类影集选角。萤幕演员公会最佳戏剧类电视剧集。故事连续第三季杰出的剧情。西雅图恩惠病院由于这些练习大夫之间的爱恨情仇,变得愈加热烈更有可看性。第三季中格蕾终於解脱了德瑞克跟兽医间的三角爱情,依本人的情意挑选了所爱的人。伊兹在丹尼逝世后一厥不振,乃至想要废弃成为外科大夫的妄想。克莉丝汀晓得了柏克的机密后,始终妄图帮他掩盖。而乔治跟性感火辣的住院医师之间的关係变得更迷离。而艾破克斯竟发明本人仍是爱著伊兹。别的,马克为了艾蒂森竟也离开了西雅图恩惠病院任务。Meredith跟Cristina蜜月返来（买好的机票欠好糟蹋~）,Burke曾经消逝无踪。客岁的练习大夫Meredith,Cristina,Izzie跟Alex,曾经掉掉落了正式驻院大夫的资历,而且有了本人的跟从,一群初出茅庐,青涩而稚嫩的练习大夫。傍边,有客岁测验分歧格的George,另有Meredith素未碰面的妹妹LexieGrey。明天,他们将要处置一宗三车连环相撞的交通不测,大批的伤者让新来的练习不知所措,呆若木鸡。另一边厢,Derek跟Meredith的情感堕入僵局,有可能他们都市跟新来的共事有新的情感开展。Bailey对Callie成为驻院总大夫觉得愤慨,兴许她一时三刻还难以接收本人当初要向Callie报告任务。Richard留任外科主任,仍旧是各人的老迈~(简介转自YDY)Afterfailinghisexam,Georgereluctantlyfaceshisfirstdayrelivinghisinternshipamongaseaoffreshfaces.Meanwhile,Cristina,Meredith,IzzieandAlexareinchargeoftheirowninternsandGeorgeisassignedtoMeredith.NeitherCristinaorMeredithhaveheardfromherexessincethewedding,andtheydon’tseemoverlyconcerned,whichastoundsIzzie,whoiscountingeverydaysinceshelastspoketoGeorge.GeorgeaskstotalktoMeredithbutbeforehecangetheralone,therestofthenewinternsshowupinthehallandareshooedoffbytheresidents.Georgegivesupandjoinstheinterns.Cristinanicknameshim"Bambi,"sayingheneedstolearnhowtodealwithhisnewsituation.

ThestorybeginsintodayIstanbul,whenawomancalledIşık(Badeİşçil)arrivesatanoldhouse.Theresherecallsthepastandfriendsofheryouth.Backin1998,agroupofyoungpeople(Eda,Osman,SinanandKerem)studyinginaschoolofIstanbulareatriskofexclusionbecauseoftheirpoorbehaviour.Theyareverydifferentfromtheirclassmatesand,therefore,verylonely.Aheadmasterandmostoftheteachersareagainstthem,andonlyonecalledBurcu(PınarDeniz)doesherbesttoprotecttheyoungsters.However,theyfindoutthatBurcuisgettingrelocated,andthismeansthatallofthemwillbeexcludedafterherdeparture.Inordertopreventthis,studentsuniteandmakeaplan:theywillmakeBurcufallinlovesothatshestaysinIstanbul.Accordingtothelaw,aftermarriageshewillbeabletochooseaplaceofworkbyherself.TheyaskforhelpfromIşık,anexcellentstudentandagirlwithabigheart.Soonshebecomesapartoftheircompany.Thisunionhelpsthestudentschangeforthebetter,understandthemselves,realizetheimportanceoftruefriendship,findloveandtheirownwayinlife.Atthesametime,theirplanhelpsBurcuchangeheroutlookonlifeandfindtruelovewithanewunsociableteachercalledKemal(KaanUrgancıoğlu).

Narratedbytwo-timeGoldenGlobe®nomineeEwanMcGregor,HumpbackWhalesisanextraordinaryjourneyintothemysteriousworldofoneofnature’smostawe-inspiringmarinemammals.SetinthespectacularwatersofAlaska,HawaiiandtheremoteislandsofTonga,thisoceanadventureoffersaudiencesanup-closelookathowthesewhalescommunicate,sing,feed,playandtakecareoftheiryoung.CapturedforthefirsttimewithIMAX®3Dcameras,andfoundineveryoceanonearth,humpbackswerenearlydriventoextinction50yearsago,buttodayaremakingaslowbutremarkablerecovery.Joinateamofresearchersastheyunlockthesecretsofthehumpbackandfindoutwhyhumpbacksarethemostacrobaticofallwhales,whytheysingtheirhauntingsongs,andwhytheseintelligent55-foot,50-tonanimalsmigrateupto10,000milesround-tripeveryyear.AMacGillivrayFreemanfilmpresentedbyPacificLife,HumpbackWhalesisdirectedbyGregMacGillivray(TheLivingSea,Dolphins,Everest)andproducedbyShaunMacGillivray(ToTheArctic,GrandCanyonAdventure).Filmedwith15perf,65mmIMAX®cameras,HumpbackWhalesiswrittenandeditedbyStephenJudson(Everest,ToTheArctic)withamusicalscorebySteveWood(JourneytotheSouthPacific,ToTheArctic).AOneWorldOneOceanproduction.

史塞巴是一个行内赫赫有名的资深辩护律师。一次事业上的打击使他顿悟，并断然辞去旧工作。机缘巧合下，他接到了罗省市长办公室的邀请，希望他接受一份工作，领导并组建罗省地检署重大案件专案组。他的团队，是一帮全无实战经验的新人。史塞巴唯有将自己的家作为培训基地，模拟最苛刻而难以预料的庭审现场，将多年庭上战术经验倾囊相授。这个专案组的目的只有一个，势要将只手遮天，人脉深广的罪犯绳之于法！SebastianStarkjustquithisoldjobofdefenseattorneyafterashockingoutcomeinoneofhiscasesandapersonalepiphany,nowlookingforajobhereceiveacallfromtheLAcitymayoroffice.Whenmeetingthecitymayor,hehasanofferforanewjob,directoroftheLosAngelesDA’shigh-profilecrimeunit,butwithatwist,hewouldhavetotrainanewteamofinexperiencedlawyersbyusingyearsofexperiences,tacticsandbypracticinginStarktribunalinhishome.TheonlygoalofthisteamistoputthebadguysinjailbutduringallthisStarkpastwillbeaproblemwewilllearnwhy.

Nour,a14-year-oldboy,isenjoyingthebeginningofthesummerholidaysintheSouthofFrance.Heistheyoungestoffourbrothers.Theylivetogetherinacouncilestate,takingturnscaringfortheirmotherwhoisinacoma.SheusedtoloveItalianOpera,soNourplaysitforher,anddevelopsapassionforthatmusic.Betweencommunityworkandrisingtensionsathome,N...

TNT6集限定剧《我即黑夜IAmTheNight的新描述》由《神奇女侠WonderWoman》导演PattyJenkins执导﹑其丈夫SamSheridan执笔，根据FaunaHodel所著自传改篇。该剧描述在1949年时，FaunaHodel被尚为少女的生母抛弃给内华达赌场的一位黑人洗手间服务员；后来Fauna开始调查自己的神秘过去，并沿着踪迹接近臭名昭着的好莱坞妇产科医生GeorgeHodel，这人因为是「黑色大理花悬案」的嫌疑犯之一而最为人所共识。IndiaEisley饰演绰号Pat的女主FaunaHodel，内华达州内诺市长大的正调查自己的神秘过去﹑JeffersonMays饰演GeorgeHodel，前神童的他后来当上了医生。YulVazquez饰演Billis，不可靠的洛杉矶警长，为上头解决问题的他身陷腐败及利益的泥沼里﹑JustinCornwell饰演TerrenceShye，有才华的他只能Watts社区里当技工学徒。DylanSmith饰演艺术家Sepp，他被内疚及悲剧所扭曲﹑JayPaulson饰演前韩战老兵，现任洛杉矶警探的Ohls，以前被JaySingletary救了一命﹑GoldenBrooks饰演JimmyLee，Fauna的前酒廊歌手母亲。ChrisPine饰演JaySingletary，前海军陆战队的他转当记者/狗仔队，他过去因为写了关于GeorgeHodel的故事而蒙羞，但现在他瞧见了救赎的可能。虽然这对他是难得的希望，不过当Jay深入研究GeorgeHodel的邪恶内心时，这将会影响到他本人。LelandOrser饰演洛杉矶时报的夜间总编辑PeterSullivan，尽管他玩世不恭﹑高度酗酒﹑爱扯黑色幽默﹑有时还充满失意，但他仍然热爱着报章；愤世嫉俗的他已看透了人性的脆弱及堕落，而且改变不了现实的「真相」更叫他失望，但心底里他还是对「真相」保持着希望。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

美国协力航空公司的总裁汤姆（梅尔·吉布森MelGibson饰）打拼多年获得令人瞩目的成绩，但最近却被一宗行贿工会案卷入，所幸美满的家庭总能及时给予他安慰。是日，汤姆一家三口参加一次儿童科学园游会，在纷乱的人流中，儿子肖恩被人掳走。劫匪很快打来了电话，向汤姆勒索两百万美金，同时绑架案处理专家朗尼带同FBI介入此案，劫匪头目是纽约警察吉米（GarySinise饰），他高强的反侦破手段让警方一时无从下手，约翰配合警方安排却导致步步被动。心急如焚的约翰决定放手一搏，在媒体公开将赎金变为抓捕绑匪的悬赏，吉米针锋相对，双方展开了走钢丝般的心理较量。吉米团伙抵不过约翰强大的心理攻势出现了分裂，但是吉米又想出了新的对策，两名强硬男人之间的对决，究竟谁生谁负？

美国合力航空公司的总裁汤姆（梅尔·吉布森MelGibson饰）打拼多年掉掉落令人注视标成就,但近来却被一宗行贿工会檀卷入,所幸圆满的家庭总能实时赐与他抚慰。是日,汤姆一家三口加入一次儿童迷信园游会,在缭乱的人流中,儿子肖恩被人掳走。劫匪很快打来了德律风,向汤姆讹诈两百万美金,同时绑架案处置专家朗尼携同FBI参与此案,劫匪喽罗是纽约警员吉米（GarySinise饰）,他高强的反侦破手腕让警方一时无从动手,约翰共同警方支配却招致步步主动。心急如焚的约翰决议撒手一搏,在媒体公然将赎金变为抓捕绑匪的赏格,吉米针锋绝对,两边开展了走钢丝般的心思比赛。吉米团伙抵不外约翰壮大的心思攻势涌现了决裂,然而吉米又想出了新的对策,两名倔强男子之间的对决,毕竟谁生谁负！