Maclean

BizzarecomedysentinthefictionalEnglishtownofRoystonVasey,whoseinhabitantsincludeatransexualtaxidriver,afamilyobsessedwithcleanessthatdespisemasurbation,anapatheticpriest,agypsywhokidnapswomentobehiswivesandapsychoticcouplewhorunalocalshopforlocalpeople.Winnerof2000BAFTATVAwardBestComedy(ProgrammeorSeries)"productionteam".

本·阿弗莱克跟马特·达蒙联手打造的黑帮罪案剧「山巅之城」找到黑帮成员,演员乔纳森·塔克(「搏击王国」「美国众神」)跟凯文·邓恩(「变形金刚1」「真探」)加盟。该剧故事设法来自阿弗莱克跟同样来自波士顿的ChuckMacLean,以1990年月初期增加青少年枪支暴力的虚拟名目“波士顿奇不雅”为配景,报告一个布鲁克林来的处所查察官DecourcyWard(阿尔迪斯·霍吉扮演)跟一个腐烂但仍备受尊重的FBI老兵JackieRhodes(凯文·贝肯扮演)组队,去拿下一个飞车暴徒家属。而塔克扮演的就是他们要拿下的人之一——FrankieRyan,名义上看只是波士顿一个一般蓝领,有妻子孩子,弟弟叫Jimmy(马克·奥布莱恩扮演),但现实上,Frankie是一个飞车暴徒团伙TwoSaints帮的首级。邓恩扮演萨福克郡的一名助理查察官NathanRey,异常有政治脑筋,也是Ward的下属。该剧由MichaelCuesta(「领土平安」)执导,他顶替了原定导演!厥后要去执导「自残小队2」而退出的加文·奥康纳。将于本月在波士顿开拍。

本·阿弗莱克和马特·达蒙联手打造的黑帮罪案剧《山巅之城》找到黑帮成员，演员乔纳森·塔克(《搏击王国》《美国众神》)和凯文·邓恩(《变形金刚1》《真探》)加盟。该剧故事想法来自阿弗莱克和同样来自波士顿的ChuckMacLean，以1990年代初期减少青少年枪支暴力的虚构项目“波士顿奇迹”为背景，讲述一个布鲁克林来的地方检察官DecourcyWard(阿尔迪斯·霍吉饰演)和一个腐败但仍备受尊敬的FBI老兵JackieRhodes(凯文·贝肯饰演)组队，去拿下一个飞车大盗家族。而塔克饰演的就是他们要拿下的人之一——FrankieRyan，表面上看只是波士顿一个普通蓝领，有老婆孩子，弟弟叫Jimmy(马克·奥布莱恩饰演)，但实际上，Frankie是一个飞车大盗团伙TwoSaints帮的首领。邓恩饰演萨福克郡的一名助理检察官NathanRey，非常有政治头脑，也是Ward的上司。该剧由MichaelCuesta(《国土安全》)执导，他顶替了原定导演、后来要去执导《自杀小队2》而退出的加文·奥康纳。将于本月在波士顿开拍。

After success cleaning up Dodge City, Wyatt Earp moves to Tombstone, Arizona, and wishes to get rich in obscurity. He meets his brothers there, as well as his old friend Doc Holliday. A band of outlaws that call themselves The Cowboys are causing problems in the region with various acts of random violence, and inevitably come into confrontation with Holliday and the Earps, which leads to a shoot-out at the OK Corral.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

MP Cunningham and Jeremy Jackson’s new scripted comedy Agua Donkeys has landed at Quibi and will be released this spring. Inspired by the short film of the same name, Agua Donkeys will be produced by Funny or Die and nd 3 - Arts Entertainment.　　In the new series where it’s always summer, MP (Cunningham) and Jer (Jackson) are employees at a pool cleaning company called Agua Donkeys. The duo chasing the perfect tan, the perfect vibe and the perfect mix of bromine and chlorine to service some of the “sickest” backyard pools in their Utah hometown. The series also features Baby Darrington, who plays their co-worker and mutual crush as well as Luke Jackson, who plays the owner of the titular pool company.

正在找工作的豪德寺优（高桥优斗饰）是一个凡事都容易后悔的大三学生。在求职31连败的那天，他遇到了小学时代的好朋友一桥初（井上瑞稀饰）。“我们要不要让这条街变干净？队名是cleaners！”结果优被初劝说，半强迫地加入神秘队伍。被带到初打工的那家清洁公司。在那里的有总是注意刘海的榎本二郎（桥本凉饰）、摆出动作明星造型的四村悠人（猪狩苍弥饰），还有小混混模样的三津豆亮（作间龙斗饰）。5人第一次聚在一起的这一天，cleaners为了肃清街上的邪恶，开始了“黑暗的清扫”。@哦撸马（阿点）

MBC行将推出的科幻范例「SF8」系列短剧共八个单位,描写人类们在未下天下,透过科技开展希望打造出完善社会。此中「宇宙人赵安」源自金孝仁作家的小说,配景设定在雾霾覆盖的未下天下。在这个天下,只有可以穿上昂贵防护衣的人,寿命就可以到达百岁,他们被归类为「C」(Clean)。相反的,没能穿上昂贵防护衣的人,均匀活不外三十岁,被归类为「N」(No Clean)。故事开展于一个C大先生李欧被诊断出罹患癌症,赶上了N女大生赵安,两自我联袂面临芳华与人生的消掉。 该剧由「不要忘却我」的片子导演李允贞执导,由电视剧「Touch」女配角金宝罗与曾上演片子「始动」的崔成恩主演。2020年7月在Wavve串流平台率先公然,8月在MBC电视台播出。

SetinLondon,SPOTLESSisthestoryofatroubledcrimescenecleaner,Jean,whosetidylifeisturnedupsidedownwhenhisoutlawbrotherMartincrashlandsintohisworld,entanglingtheminthedeadlydynamicsoforganizedcrime.

　　The May Fair Hotel is thrilled to be presenting this special gala screening of ‘Keeping Rosy’. With film in its DNA, The May Fair Hotel is synonymous with the film and entertainment industry, and are proud to be supporting independent filmmaking.　　This British thriller stars Maxine Peake (‘Shameless’), with brilliant performances from Blake Harrison (‘The Inbetweeners’) and Christine Bottomley (‘The Arbor’).　　Charlotte (Peake) is a woman who is completely defined by her career. All she wants from life is to be cut a slice of the media agency she has devoted herself to building. However, the fragility of her perfect existence is exposed when, after finding out she’s been betrayed in the boardroom, she returns home and takes her anger out on her cleaner. As Charlotte’s life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger as she fights for a rosier future.