Marmee·Cosico、彼得·斯特曼、兰斯·莱迪克、Crystal·Lonne
搜索"Marmee·Cosico、彼得·斯特曼、兰斯·莱迪克、Crystal·Lonne" ，找到 以下影视作品
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埃里克·罗尚
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AuseindelaDGSE(DirectionGénéraledelaSécuritéExtérieure),undépartementappeléleBureauDesLégendes(BDL)formeetpiloteàdistancelesagentslesplusimportantsdesservicesderenseignementsfran?ais:Lesclandestins.Enimmersiondansdespayshostiles,leurmissionconsisteàrepérerlespersonnessusceptiblesd'êtrerecrutéescommesourcesderenseignements...
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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乔德利（阿莫瑞什·普瑞 Amrish Puri 饰）跟老婆完婚多年,始终非常恩爱。两人独特养育了两个女儿希姆莱（卡卓尔 Kajol 饰）跟图吉（Pooja Ruparel 饰）,两个女人都出落得亭亭玉破。一晃眼,希姆莱就到了该嫁人的年事了,只管乔德利一家人曾经在伦敦生涯了二十多年了,但乔德利骨子里照旧是一个传统的印度人。 乔德利将希姆莱许配给了友人的儿子库杰（帕尔米特·塞希 Parmeet Sethi 饰）,这让希姆莱觉得非常不满。一次偶尔中,希姆莱相逢了名为拉杰（沙鲁克·罕 Shahrukh Khan 饰）的印度女子,只管拉杰为人轻佻,油嘴滑舌,但希姆莱仍是同他坠入了情网。得悉此事的乔德利举家迁回了印度,拉杰亦紧跟厥后,他要怎样能力掉掉落乔德利的承认呢！
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Totallyunawares,Saverio,ateacherandMario,ajanitorofthesameschoolinwhichtheybothwork,travelbackintimeandfindthemselvesincentralItalyattheendofthe15thcentury.TheycarrywiththemanunresolvedsquabbleconcerningSaverio’ssister,creatingalotoftensionbetweenthetwo,whichwillincreaseintheplot.Fromthismomentontheywillhavetocometogripswiththegrotesquesituationtheyfindthemselvesin,tryingto"hitchalift"backtothefutureinamostoutlandishway,usingandmisusingtheirforesightoftheeventstakingplaceroundthattime,andgenerallymakingfoolsofthemselvesintheeyesof"normal"renaissancefolks.TheirmeetingwithLeonardodaVinciishysterical,whentheybecomemoreandmoreconvincedthatthegeniusisinrealityamoron.AnothercharactertheymeetisSavonarolatheheretic,whoenjoinsthemtorepent,beforeheistakentothestake,elicitingsomebreezycommentfromthem.Ifitweren’tforaweirdkindofhomesickness,theywouldquiteenjoylivinginthisperiod,fullofdaringfashionsandtantalisingdamsels.Thecoupleshowsgreatchemistryandisfunnyineveryrespect.Thepsychologyoftheircharactersiscomplexandcredible-foroncecomicalroleswithadepth.Basically,Saverioisanembitteredpetit-bourgeoisforeverattractedandrejectedbywomen,enviousofMario,aneasy-goingproletarianeverywomanfallsinlovewith.Saverioisscheming,meanandvindictiveasmuchasMarioisnaive,generousandforgiving.Whatamatchoftalents:RobertoBenigniandMassimoTroisiatthepeakofcombinedcreativity.Toobadtheywillnevercomebacktogetherforanotherjointventure.Ormaybeitisbetterthisway:masterpiecesofthislevelcannotbeimprovedon,atbesttheycanbeimitated.ForthisreasonNoncirestachepiangerewillshinelikeageminthecrownofthebestItalianmoviesofalltimes.Sadlynotmanypeopleseemtohaveseenit,noteveninItaly,wheretheviewersdonotneedsubtitlestoenjoythehilariousjugglingofthetwoactorswiththelanguage,buttheirbodylanguagecanbeuniversallyappreciated.Ifyoumissityouwillhavetorepent!
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亚历山大·克鲁格
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沃尔克·施隆多夫
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赖纳·维尔纳·法斯宾德
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AlfBrustellin
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BernhardSinkel
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卡特娅·卢佩
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HansPeterCloos
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爱德嘉·莱兹
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MaximilianeMainka
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PeterSchubert
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HanneloreHoger
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HelmutGriem
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KatjaRupé
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VadimGlowna
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AngelaWinkler
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HeinzBennent
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MarioAdorf
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ManfredZapatka
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EnnoPatalas
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Michael
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Gahr
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Otto
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Graf
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Lambsdorff
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Lisi
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Mangold
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Kurt-Georg
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Kiesinger
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汉内洛勒·霍格
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卡特娅·卢佩
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Manfred
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Rommel
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Werner
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Possardt
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赫尔穆特·科尔
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Kurt
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Biedenkopf
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Hor
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德国在秋天本身没有一个阴谋；它将纪录片片段与标准电影场景混合在一起，让观众感受上世纪70年代末德国的氛围。这部电影讲述了1977年一名商人被左翼恐怖分子RAF-RoteArmeeFraktion(红军派系)绑架，随后被杀害的两个月时间。
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丹·弗里德金
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盖·皮尔斯!克拉斯·邦!薇姬·克里普斯!罗兰·默勒等主演的新片[最后的维米尔](The Last Vermeer,暂译)首释预报。影片原名[琴鸟],故事依据实在变乱改编,报告荷兰传怪杰物汉·凡·米格伦。他捏造有名画家约翰内斯·维米尔的画作,其以假乱真的技巧让他成为最胜利的艺术品捏造者。丹·弗里德金执导影片。马克·弗格斯!霍克·奥斯比([人类之子])!约翰·奥罗夫(「兄弟连」)编剧。
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Iris,seizeans,vitlafindesonadolescencedansunepetitevilledeprovincelorsqu’ellerencontreparhasardJean,unphotographeparisiend’unequarantained’années.Aufildesrendez-vous,leurrelationsetransformeenuneamitiéamoureusequibouleverseleursvies.
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Hannaa30ans,beaucoupdecharmeetnesaitpasdirenon:elleestatteintedelanévrosedelagentillesse.Cedrôledesyndromefamilialtoucheaussisonpère,Omar,"épiciersocial"etsamère,Simone,"psyàdomicile".AvecsonfrèreHakim,focalisésursesracinesalgériennesetsareligion,lecourantnepasseplusvraiment.MaisunévénementimprévuobligeHannaetHakimàseretrouver...
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AstrugglingcountrysingermeetsaNashvillesongwriterinneedofinspiration.Teaminguptowriteasong,theirworkgetscomplicatedbutresultsinbothahitsong...andtruelove.
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Juin1940.Villeneuve,villageducentredelameijubar.netFrance,estbouleverséparl’arrivéedel’arméeallemande.Hortense,Jean,Raymond,MarieétaientalorsdesFrançaisesetdesFrançaisordinaires...ilsdeviendrontpatriotes,traîtres,collaborateursourésistants.Auxrèglesimposéesparl’occupationallemanderépondentcellesdeladésobeissancecivileoudelaclandestinité.Onapeur,onafaim,onsedéchireaunomdesvaleursetd’unecertaineidéedelaFrance...ouparfoissimplementparamour.
