Silset
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伊万·麦克格雷格
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Narratedbytwo-timeGoldenGlobe®nomineeEwanMcGregor,HumpbackWhalesisanextraordinaryjourneyintothemysteriousworldofoneofnature’smostawe-inspiringmarinemammals.SetinthespectacularwatersofAlaska,HawaiiandtheremoteislandsofTonga,thisoceanadventureoffersaudiencesanup-closelookathowthesewhalescommunicate,sing,feed,playandtakecareoftheiryoung.CapturedforthefirsttimewithIMAX®3Dcameras,andfoundineveryoceanonearth,humpbackswerenearlydriventoextinction50yearsago,buttodayaremakingaslowbutremarkablerecovery.Joinateamofresearchersastheyunlockthesecretsofthehumpbackandfindoutwhyhumpbacksarethemostacrobaticofallwhales,whytheysingtheirhauntingsongs,andwhytheseintelligent55-foot,50-tonanimalsmigrateupto10,000milesround-tripeveryyear.AMacGillivrayFreemanfilmpresentedbyPacificLife,HumpbackWhalesisdirectedbyGregMacGillivray(TheLivingSea,Dolphins,Everest)andproducedbyShaunMacGillivray(ToTheArctic,GrandCanyonAdventure).Filmedwith15perf,65mmIMAX®cameras,HumpbackWhalesiswrittenandeditedbyStephenJudson(Everest,ToTheArctic)withamusicalscorebySteveWood(JourneytotheSouthPacific,ToTheArctic).AOneWorldOneOceanproduction.
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Thestorybeginsin1996whenColonelSodhi,now70 - visitshissisterandherfamily.However,evenafteroverhalfacentury,thenightmaresofhisintensebattleanditsaftermathoftenreturntohaunthim.OldSodhiandyoungAmarbegintobondandSodhiaccompaniesAmartoBurma(Myanmar)foranassignmentfromBBCtoshootadocumentaryonthestudentsagainsttheMilitaryJuntaforfreedomanddemocracy.InSingapore,SodhivisitstheplaceswhichbringbackthememoriesofhimasaLieutenantintheBritishIndianArmyLt.SodhimeetsabeautifulphotographerMayawhoinspireshimtochange.SodhifallsinlovewithMayawhojoinstheIndianNationalArmy.OldSodhilandsinBurmawithAmar,andiswelcomedbyanIndiangirlRani.TheyaccidentallygetcaughtinthestudentprotestandfiringbytheMilitaryJuntatosuppressthestudentagitation.WhenthesoldiersoftheMilitaryJuntagetroughandviolentwithAmarandRani,oldSodhiissuddenlytransformedintotheyoungLt.SodhiandkillsthetwoBurmesesoldierstodefendhisgroup.OldSodhiandhisgroup’sescapefromtheBurmesesoldiersrunsparalleltotheattackbytheBritishbombersonLt.Sodhi’sunit.In1944 - theIndianNationalArmy,tired,hungry,cold,feverish,sickhadreachedImphaltodefenditagainstalltheoddspiledheavilyagainstthem.InaschoolsetupbyRani’sgrandmother,OldSodhifindsthephotographofMayaandrealizesthatMayahasbeendead.OldSodhi,finallyredeemshimselfbyhelpinghisyounggroupsafelycrossoverfromBurmaintoIndia,andkeephispromisetoMayathathewouldonedayreturntoBurmatofindherandbewithherwhenhisbodyisblownbytheBurmesesoldierstoashesandglory.
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薇拉莉·邓泽里
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JulienetMargueritedeRavalet,filsetfilleduseigneurdeTourlaville,s’aimentd’unamourtendredepuisleurenfance.Maisengrandissant,leurtendressesemueenpassiondévorante.Leuraventurescandaliselasociétéquilespourchasse.Incapablesderésisteràleurssentiments,ilsdoiventfuir…
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索尔曼·纳伊姆
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奎恩·拉提法
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托利·基特尔斯
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史蒂芬·比肖普
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Laya DeLeon Hayes
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Patrick Millin
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埃德·莫兰
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Gabriel Sloyer
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洛莱妮·图桑特
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Anenigmaticfigurewhousesherextensiveskillstohelpthosewithnowhereelsetoturn.
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A group of teen girls set out to scare their reclusive new neighbor, but the prank turns to terror when some of them don't come back.
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OneofthemostpopularTVminiseriesinitshomecountry,TheMeetingPlaceCan’tBeChangedisapoliceproceduralsetinpost-WorldWarIIMoscow.VladimirSharapov(VladimirKonkin),recentlydischargedfromtheRedArmy,joinsthehomicidebureauofthelocalpolice.Sharapov,whotendstodoeverythingbythebook,oftenclasheswithseasonedpolicedetectiveGlebZheglov(VladimirVysotsky).Thelatterissoconvincedthat"athief’splaceisinprison"thathedoesnotstopatplantingevidencehimselfifnecessary.Thetwomenlearntoworktogetherduringamurderinvestigationthatleadsthemtoagangofcriminalsknownas"theBlackCat."
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SamedilivesinavillageinWallonia.Heworksfromtimetotimeasagardenerandhasacloserelationshipwithhismother.Everydaylifeinthevillage,whichhasseenbettertimes,Samedi'squietandfriendlynatureandthestilllargelyintactruralsettingstandinstarkcontrasttotheheroinaddictionSamedihassufferedfromforover20years,whichonlyhisfamilyknowsabout.Hisrelationshipwithhismotherchangeswhenhemakesanotherattempttogetclean.PalomaSermon-Daï’sdocumentarypaintsarestrained,highlyprecisepictureofarelationshipmarkedbyaffectionandlovebutwhichisalsodifficulttodefineinrelationtoSamedi'sproblem.Asthecameraobservesthelong,concentratedconversationshehaswithbothhismotherandhistherapist,apictureofaddictioncomesintoviewwhichispartofafamilystructure.Thisbecomesembeddedinsomethinglargerinturnviatheindividualimagesofthevillage.PetitSamedicreatesanimageofdependenceinwhichindividual,familyandsocialcoexistenceareintertwined,withoutfallingintothetrapofsayingwhatmightbeabletosolvetheproblem.
