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「荒原特务」将野活泼物记录片制造晋升到全新的高度,率领不雅众感触天然界最巨大的戏剧时辰与情绪休会。经心计划的高科技摄像性能够模拟植物状态,与视察工具别无二致,并融入它们接洽紧紧的群体之中。这种奇特的拍摄方法能够史无前例地捕获到一些闻所未闻的植物行动跟特点。在第二季的节目中,制造团队应用首创的植物特务摸索天然界中的集合景象。为什么大量植物会一年一度地相聚!这些集合运动与时节性的天气变更有怎么的关联!置身于植物群中又是怎么一番感触!从北风砭骨的极地到骄阳炎炎的寒带,植物特务们从海洋!大陆跟天空三个角度,介出天下各地的植物集合运动。不雅众能够追随它们,成为大猩猩家属的一员,目击滋生时节考拉之间剧烈的摩擦,或许休会科莫多巨蜥为争取权利开展的殊逝世格斗。
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「王朝:狐獴」追随着雌性狐獴首级玛格霍格(Maghogho),展示它如安在天气极为恶劣的情况中树破本人的王朝。这是一段史无前例的出色故事。 刚成为首级的玛格霍格统治着一个小型狐獴家属,只有两个姊妹跟三只雄性与它为伍。它们的故里位于博茨瓦纳的马卡迪卡迪盐沼,这里琳琅满目却空空荡荡,广袤而荒漠。由于天气燥热枯燥,以是很少有性命可以在此存活。不只如斯,狐獴一家还要抚育七只幼崽。想在如斯荒原养大宝宝,必需依附群体的气力;但是,这倒是个老手家属。想要幼崽安然长大,玛格霍格必需将家属成员连合起来。 从雨季中期开端,摄制组在快要一年的时光里跟踪拍摄玛格霍格的故事。它的王国本是一片绿草如茵的岛屿,四周围绕着炙热的盐沼,但在枯燥的天气下百口的食品寥寥无多少。随后喜剧袭来,家中最年长!最牢靠的姊姊小美(Pretty)逝世于蛇口。它的故里登时危急四伏,迫使玛格霍格一家逃往另一片领地。 这片全新的国土占有更多的食品起源,但全部家属却支离破碎,相互之间的关联亟待重修。但起首,它们要面临同时来自捕食者与天然情况的全新挑衅。捷足先登的降雨,激发了伟大的沙尘暴。玛格霍格跟它的家属要想生活,就必需学会独特应答这些挑衅。唯有保持下去,直到一场实时雨将它们的戈壁故里变为天堂,它们能力重获生气。初出茅庐的玛格霍格将发挥本人的能力,成为家属中真正的首脑。 但是,狐獴家属外部抵触重重。雄性首级为难大用,它的率性可能会葬送全部家属成员的性命。而玛格霍格面临着妹妹的背离,不得不做出一个极为艰苦的决议。 本片由大卫·爱登堡爵士讲解,拍摄时光快要一年。摄制组研发了全新的拍照东西,胜利进入狐獴的天下,以史无前例的方法实现跟踪拍摄。狐獴的体形只比松鼠略大,在一马平川的田野,它们的挪动速率很快。任务职员在外地导游的赞助下,冒着严冬与沙尘暴,拍摄到了很多早年不曾得见的出色画面,展示出狐獴家属特性悬殊!有板有眼!布满魅力的奥妙故事。
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TheirUStourendsinFloridawithPiersandCarolinevisitingawonderonthewaterfront,anaturistpavilion,[email protected]ww.molikan.com
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大堡礁(英文:TheGreatBarrierReef),是世界最大最长的珊瑚礁群,位于南半球,它纵贯于澳洲的东北沿海,北从托雷斯海峡,南到南回归线以南,绵延伸展共有2011公里,最宽处161公里。有2900个大小珊瑚礁岛,自然景观非常特殊。大堡礁的南端离海岸最远有241公里,北端较靠近,最近处离海岸仅16公里。在落潮时,部分的珊瑚礁露出水面形成珊瑚岛。在礁群与海岸之间是一条极方便的交通海路。风平浪静时,游船在此间通过,船下连绵不断的多彩、多形的珊瑚景色,就成为吸引世界各地游客来猎奇观赏的最佳海底奇观。1981年列入世界自然遗产名录。在60年后,爱登堡爵爷再次到访,利用最新科技的深水潜球探索前人未至的神秘深度。潜艇在幽暗海底和奇妙景观紧密接触,宛如卡梅隆的科幻电影。
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一部对于苏格兰洼地的野活泼物的系列记录片,由伊万·麦格雷戈讲解。苏格兰洼地是苏格兰洼地界限断层以西跟以北的山地的称谓。很多人将苏格兰洼地称为是欧洲景致最幽美的地域。与之相对的是苏格兰低地。苏格兰洼地火食稀疏,有多座山脉,包含英国境内最顶峰本内维斯山。固然它位于生齿麋集的大不列颠岛上,但这里的生齿密度乃至于少于邻近纬度的瑞典跟挪威等地。第一集春天-极真个时节3月尾凯恩戈姆山着火了!旧石南被销毁,雄性黑嘴松鸡开端求偶的典礼,标记取洼地荒原冬天的停止跟春天的开端。然而这里的春天是最弗成猜测的时节。在应答极真个风跟天气的同时,鱼鹰,红松鼠,河乌,雷鸟!东方狍!宽吻海豚尽力寻寻食品跟养育他们后世。第二集炎天-最巨大的比赛冬季是洼地最激烈的时节。植物处在一场巨大的比赛中,它们要赶在春季的风暴到来之前,让本人的后世敏捷生长能够独破生涯。有些像水獭跟松貂,是独身母亲为它的幼崽一直奔走,而另一些包含金雕,则是怙恃在一同照料雏鸟。最惹人注视标是,年青的海鸠面对性掷中的第一次奔腾,从400英尺的绝壁跌至大海。第三集春季跟冬季-难题重重在阿弗里克西部洼地,这仍旧天高气爽的一天。丛林被革新金,但它是一种转眼即逝的俏丽,标记取洼地“最长,最暗中,最热闹的时节的开端。不克不及迁徙到较平跟的天气地域的植物必需有才能敷衍来自天气的尽力袭击。驯鹿,雷鸟跟山兔都合适这些北极般的天气,这是人们影象中最多雪的冬天之一,检修高原的植物的相对生活极限。第四集洼地住平易近洼地可能是一个野生跟无情的处所,但多少千年来人们曾经生跟活在这里的野活泼物,共享雷同的天气!时节跟景致。多年来人类对天然景不雅的影响曾经使得丛林被砍伐破化,大陆变暖,很多标忘性物种像狼跟熊消逝。然而当初情形正在转变,人们正在找回咱们得到的货色。人类采用办法掩护洼地的贵重的鱼鹰,金雕,红松鼠,海鸟跟海豚。素来不如斯多的任务是为了规复野生洼地其全体的光荣。
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Takeamind-blowingjourneythroughhumanhistory,toldthroughsixiconicobjectsthatmodernpeopletakeforgranted,andseehowscience,invention,andtechnologybuiltononeanothertochangeeverything.
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DrLucyWorsley’sseriesbeginsin1714when,topreventthecrownfallingintothehandsofaCatholic,Britainshippedinaready-maderoyalfamilyfromHanover.
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Isolatedfromtherestoftheworldsincethetimeofthedinosaurs,NewZealand’smagnificentwildlifehasbeenlefttoitsowndevicesfor80millionyears,withsurprisingconsequences.NarratedbyactorSamNeill,thisthree-partwildlifeseriestransportsviewerstoanexoticandmysteriousislandchain,revealinghowthecountry’srich,intriguingwildlifemanagestosurvive.
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2019年是尼尔·阿姆斯特朗登岸月球50周年。这是太空比赛的顶峰,也是全部20世纪最巨大的科技造诣,然而咱们能否应当派宇航员前去火星呢!美国国度航空航天局在1969年胜利登岸月球之后,最大的目的就是召还宇航员登岸火星名义,但现实证实这比设想中难度更大。太空处于真空状况,人类显得出奇软弱。宇航员至少须要六个月时光能力到达火星。在此时期,它们必须要掩护本人免受太空高强度辐射的威逼,要蒙受阔别故里的心思效果,还要预备大批的氧气。这些还只是登岸火星筹划中的部门疑问。
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Luminousbeings,creatureswiththeirowninternallight,enchantandastonishus.Anyonewhohasseenafireflyoraglow-wormcannothelpbutfallundertheirspell.Theseaatnightsparklesasmillionsofluminousplanktonrevealtheshapesofdolphinsinatrulymagicallightshow.Butwhydoanimalsproducelivinglight?Forcenturieswecouldonlymarvelatthebeautyandthemystery,butnowforthefirsttimewecanbegintorevealtheamazingtruthaboutlivinglights.Ithastakenthreecrucialtechnologicalbreakthroughs.Firstly,colourcamerashaveimproveddramatically;theyarenowover4 - 000timesmoresensitivethanadecadeago.Thecamerasaresosensitivetheyarerevealingstartlingdiscoveriesthatuntilnowwecouldnotsee.Secondly,scientistshaveenteredtheunknownworldoftheboundlessdeepopenoceanwiththehelpofanewgenerationofsubmersiblesandrobots.Thirdly,AmmoniteFilmshaveinventedandbuiltaseriesofuniquecamerasthatcancapturethefaintestephemeralglowofluminouslife.Bycombiningthesethreeinnovations,thisfilmshowscreaturesandbehavioursneverseenbefore.SirDavidAttenboroughisourguideasweventureintoanewhithertounseenworld.Bioluminescenceiseverywhere:inthesoil,onthelandandthroughouttheoceans.JoinSirDavidAttenboroughandateamoftheworld’sleadingscientistsanddeepseaexplorersonaquesttorevealthesecretsoflivinglights.
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AstheKalahariDesertfacesaworseningdryseason,prides,packsandherdsofallkindsmustrelyonthepoweroffamilytosurvive.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.
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科学是无所不知的嘛?本系列纪录片将探讨当今科学家们所面临的最大谜题。我们已经解决了有关地球和宇宙的一些最复杂的难题。但我们取得的发现越多,遇到的问题也就越多。宇宙究竟诞生多久了?为什么月球的正背两面如此不同?来自宇宙的铁是如何出现在图坦卡蒙王的陵墓中的?这部系列纪录片中的每一集都将讲述一个课题。我们会参观顶尖的实验室,见识令人费解的实验,结识致力于寻找答案的科学家们。本系列纪录片会借助精彩的电脑特技效果,为观众展现失落的世界、古代的文明和广袤的宇宙。
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上世纪20年月末,遐迩闻名的托马斯·沃尔夫(裘德·洛 Jude Law 饰)怀揣文学梦离开纽约,而他洗练的自传体小说被曾一手挖掘过菲兹杰拉德!海明威等作家的文学编纂麦克斯·珀金斯(科林·费尔斯 Colin Firth 饰)看中。珀金斯大马金刀地为沃尔夫删减文章篇幅,最后该书出书时大得胜利,沃尔夫也成为了文学界新星,而这本书恰是他传播后代的有名小说「天使,望家乡」。 在此之后,珀金斯跟沃尔夫愈加紧紧地协作,但他们的亲热惹起了沃尔夫女友(妮可·基德曼 Nicole Kidman 饰)的妒忌。在沃尔夫第二本小说的行将面世之时,三人之间关联却愈发奥妙。一边是挖掘本人的伯乐,一边是相处多年的女友,他将怎样决定……
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《指环王》导演彼得·杰克逊打造的披头士新纪录片《TheBeatles:GetBack》要推出了。迪士尼前CEO、现董事会执行主席BobIger在年度股东大会上宣布:该片定档于9月4日北美上映。此前该片透露的信息是:记录的是披头士如何录制出经典名曲&专辑《LetItBe》。基于长达55小时的此前未曝光录像,包括披头士在录音室中制作的少见画面,拍摄时间为1969年1月2日-31日。1970年5月,《LetItBe》专辑发行,而当时乐队刚分崩离析。录像高潮为披头士那场著名演出——在伦敦萨维尔街苹果唱片公司总部旧址屋顶上的表演。这段录像本来是用来做一个特别节目的,现用在纪录片上。此外还有140小时的音频。《LetItBe》那段时间经常被看成乐队的动荡时期,而杰克逊说,他很高兴看完这些新得到的视频后,发现事实跟传说并不一样:在那些录像中,虽然也有抓马,但更多的是乐队成员们如何制作出经典音乐,那样的画面“不仅让人神往,而且很有趣,振奋人心,而且与他们的距离让人惊讶地非常亲密贴近。”PJ称很荣幸和开心能得到这样的视频,“制作这部电影会是完全的快乐”。他用了已经用在他此前执导的纪录片《他们已不再变老》中的“黑科技”复原技术来处理这些视频。该片获得了乐队成员保罗·麦卡特尼、林戈·斯塔尔和去世成员家属的合作,包括约翰·列侬的遗孀小野洋子、乔治·哈里森的遗孀OliviaHarrison,苹果唱片公司也参与制作。
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