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因和女友洛萍·哈瑞斯(莱丝莉·曼LeslieMann饰)发生不快,房地产经营上史蒂夫·考维克斯(马修·布鲁德里克MatthewBroderick饰)被迫搬到一幢新的公寓。不久,有线电视安装人员杜哲(吉姆·凯瑞JimCarrey饰)登门拜访。杜哲举止乖张,为人却颇为幽默开朗。两人由此成为好朋友,更相约外出游玩。在杜哲的指点下,史蒂夫成功赢回女友的芳心。然而杜哲似乎过于热情,他越来越多介入到史蒂夫的生活当中,令后者渐感烦躁和不安。史蒂夫开始有意识地远离这个不太正常的家伙,感觉被好友抛弃的杜哲由此暗升报复之心……本片荣获1997年儿童选择奖最受欢迎男主角奖(JimCarrey)。
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某天晚上,威尔利在自家厨房里发现了一段手指头。惊讶过后,威尔利和最好的朋友密兹打算一起查明这根手指头的来源。为此他们在洛杉矶城里四处奔走,结果遇见了许多奇怪而有趣的人……
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「伤害任务」脚本是由英国编剧亚当·曼森(Adam Mason)跟西蒙·鲍伊(Simon Boyes)独特实现的,讲的是一个年青的状师助理在OL碰到了至公司派来烧毁证据的悍匪....
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蕾克絲完整沒有與人畸形交换的才能,出社會了還跟爸爸住在一同。但她卻有項獨特天賦—擅長與垂逝世之人谈心。她與爸爸經營起[臨終諮詢服務]的事業,協助臨終的人好好空中對逝世亡的恐懼。而當蕾克絲赶上有著自在靈魂!刚愎自用,對逝世亡看似全然無懼的癌症患者薇樂麗之後,這項任务對她人生的意義也開始漸漸改變。
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Christmas is supposed to be a time for peace and joyful family reunions. But when Matt and his wife Karen show up unannounced at the home of his estranged brother Steve to celebrate the holidays, they are instead greeted with a horrifying surprise: trapped in the basement is a man. But not just any man. Steve believes that his hostage is none other than the devil himself.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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In1902London,unhappilymarriedPhilipMarshallmeetsyoungMaryGray,whoisunemployedanddepressed.Theirdeepeningfriendship,thoughphysicallyinnocent,isdiscoveredbyPhilip’swifewhothreatenshimwithexposureandscandal,drivinghimtokillher.Thereafter,fortuneseemstosmileonPhilipMarshall;butdoesfatehaveasurpriseinstore?
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一次悲劇使空中飛人邁克患上畏高症及回避現實,卻因浪漫錯配而讓他从新融入正軌。掉掉落幸運的眷顧,邁克身兼兩職,並周旋於多莉絲及瑪格烈妲之間,不亦樂乎。邁克深受旅店泳客及會所觀眾的歡迎,惹起同寅馬連奴的忌妒。當他發現邁克的机密時,他決定应用它來破壞邁克的事業及愛情...
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幼儿园女老师April(海伦·亨特 Helen Hunt 饰)一年前与比自己小的同事Ben喜结良缘,她迫切想要一个孩子的心愿给对方造成很大的压力,在医院养病的母亲劝她领养一个她又不接受,她要一个亲生的孩子,这一切都是因为April是领养儿,敏感的她从小就认为母亲对自己和对弟弟不一样。Ben突然提出离婚,母亲又病逝,April真正剩下自己一个人了。 命运峰回路转,一个自称Bernice(贝特·米德勒 Bette Midler 饰)的脱口秀女主持人跑出来跟April说自己是她的亲生母亲,她口若悬河滔滔不绝,一心想弥补39年来的缺憾。同时爱情亦透出一线光,April一个学生的父亲Frank(科林·费尔斯 Colin Firth 饰)被她吸引,二人控制着情欲的滋生,却更令它蔓延。当April认为一切都已经向好的方面转变时,她怀孕了……
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全美高中的足球运动员班克斯在2002年被理工附中的同学WanettaGibson指控为强奸犯,面临可能长达41年的无期徒刑判决,他接受了辩诉交易,包括五年牢狱生涯、五年被严格看管的假释期,并且作为性犯罪者进行登记。Gibson一家起诉了长滩联合学区,称该地区风俗败坏,在2011年3月获得了150万美元的补偿。事后Gibson联系了班克斯承认自己伪造了这一事件,班克斯秘密进行了录音,Gibson拒绝告知公诉人事实亦不愿归还钱财。在“加州清白计划”组织的帮助下,班克斯被冤案在2012年5月进行了反转。长滩联合学区在2013年4月以200万美元起诉Gibson,以偿还她骗得的150万,该学区最终获得了260万赔偿。班克斯于2013年短暂加盟了美国亚特兰大猎鹰队踢球,目前在“加州清白计划”组织担任发言人。
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蔡斯·里维尔是位小镇青年,当他发现一座赌场将建在小镇具有历史意义的古战场上时,他决定为保护历史遗迹而努力,为此他联合了镇上性感却危险的露西。然而两人必须面对的最大障碍却是当地居民,因为他们相信赌场会促使当地的经济好转。
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根据2005年一群男孩参加奥林匹克大赛街舞年度之战的经历改编,讲述了乔什哈洛威饰演的教练如何带领他的队伍夺魁的故事。
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JasonBrowncopeswithhiscelebritystatus.BobbyBrucetriestoreboundfrombaddecisions.Brownconsidersbringingbackapolarizingplayer.
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三个大学室友,他们放弃所有的事情,不顾一切的去参加一次公车旅行这是一次充满了性的终极啤酒桌球赛的全国巡回赛事。一路上,他们遇到很多奇怪的事情,令人捧腹大笑。可以让你体验到任何啤酒桌球赛所不存在的喜剧效果。
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